Cover Wars: Spooky (Classics IV)
This special Halloween edition of Cover Wars looks at Spooky by Classics IV.
This special Halloween edition of Cover Wars looks at Spooky by Classics IV.
Phil Lesh took a turn towards Americana with his Phil and Friends outfit in 2006.
Real Estate recently stopped by the Bowlegs’ studio to perform It’s Real.
We celebrate Halloween with a fiery version of this Warren Zevon classic.
Paul Simon on Conan, Chickenfoot on Jimmy Kimmel and Zooey Deschanel on Craig Ferguson are among this week’s music on television highlights.
Sample the AC/DC Bag -> Slave To The Traffic Light from Hampton / Winston-Salem ’97.
Future Islands have made their name by delivering the kind of “blood, sweat, and tears” live show that can inspire legions of fans to blindly follow the band across the miles. The members don’t look like your typical indie-rock darlings; instead they resemble the type of guys in the cubicle next to yours who you depend on for a daily dose of levity or to complete a fantasy football trade.
The show was very faithful to the recorded versions of their songs. Often, that can come across as lacking – if one merely wanted to hear album-perfect versions of songs, one could do so without paying for a $50, in this case) ticket. However, Portishead made those songs come alive through a combination of raw performance (particularly from Ms. Gibbons), as well as a powerful visual presentation.
It’s been over thirty years and Great White is still going strong. Known for such hits as “Rock Me”, “House Of Broken Love”, “Once Bitten Twice Shy” and “Mista Bone”, this band with the blues soul and rock & roll heart is still playing to sold out venues from coast to coast. And on a sunny California afternoon, guitar player Mark Kendall is happily sharing with me memories of his youth, tales from his early days with Great White and whether or not he will finally have time to record another solo record.
It’s the growing pains of Only in Dreams that capture and pull in something novel to an already saturated 60’s garage-pop revival. The Dum Dum Girls have taken a risk in trying something new, but this risk, for the most part, has paid off.