[Originally Published: March 10, 2009]
When I first saw Danny Boyle’s 28 Days Later, his epic out-of-nowhere British zombie/uber cannibalistic/virus outbreak/mutant apocalypse mind-blowingly violent death mental film, I immediately had the same reaction I have with any incredibly talented director. Give the bastard some serious coin to spin the celluloid fantastic into hyperspace. See what they can do. Give them enough rope to either jump across the whole psychedelic lake and swing back with their sanity intact and talents furthered, OR the rope tangles around their artistic neck, strangling themselves on their own self-indulgence.
Boyle reached his total mass creative potential in a completely unexpected way with the unpredictable critical and commercial success of Slumdog Millionaire. However, Boyle’s film before the East Indian tempest in a tea pot, is an intense and visually stunning piece of work that just seemed to come and go under the cultural radar in the 2007 theatrical night like so many other obscure gems. Indeed, this week’s Hidden Flick is Sunshine.
The science fiction film helmed by Boyle, and written by Alex Garland, tells the tale of a ship in 2057 sent from Earth to detonate a nuclear weapon “the size of Manhattan” within our dying Sol in a desperate attempt to reinvigorate and give new life to a dying star. The international cast is surrounded by ingenious CGI effect shots, and the usual Boyle setups which neither foreshadow, nor echo anything that has really come before in the film.
READ ON for more on this week’s Hidden Flick…