[rating=6.00] No one is questioning that King Gizzard and the Lizard Wizard are strange. Or that they are an extremely psychedelic, experimental and talented seven-member group. Their past albums alone prove
[rating=7.00] Almost everyone at some point has stumbled across Thievery Corporation. And when you do, you pause. Because it’s different. It pulls from so many genres and cultures: jazz and
[rating=8.00] In some strange way Moon Duo’s new album gets all that’s currently winter and cold. It’s the first part of a two part set inspired by a number of
[rating=8.00] Hang opens like Mick Jagger covered in glitter telling you to just be yourself. Foxygen’s fourth official record picks up where they left off. The last song on their
[rating=6.00] Pale Hands almost have something that could work for them musically as they drift between retro trance and indie pop on their debut full-length album Spirit Lines. The name
[rating=8.00] On Caribou’s sixth album, Dan Snaith latches on to what people loved about his last albums to create Our Love: an album that is both conceptual and inviting. The
[rating=8.00] This is not what The Drums are known for, but it is perhaps some of their best work. After two members of The Drums left, the band almost fell
[rating=5.00] Four years since Penny Sparkle, an album that seemed to shine about as much as a tarnished penny would itself, the 1990’s, Blonde Redhead has released their ninth album,
[rating=5.00] Colony House’s debut album, When I Was Younger, is definitely one with a distinct message; these young boys from Nashville, Tennessee are out to spread the word of hope
[rating=7.-00] Emerging from Detroit, the home of Motown and a city rich with musical roots in jazz and R&B; Jessica Hernandez and the Deltas plays as if they have been
