Review: Edgar Meyer and Chris Thile
Every Friday for the past two years, my morning commute has been made that much better by the few seconds I get to hear the Ebony Hillbillies. Situated at the Grand Central end of the Shuttle, the quartet of banjo, fiddle, upright bass, and percussion produce this simple brand of bluegrass for the waves of crowds.
Because of the frequency of the shuttles, I usually do not get to hear much of their music (rushing as I am to get into work), but what I do hear never ceases to put a smile on my face. There is something about traditional American string music that I have always had an affinity for — its pureness, singularity to the instruments, the virtuosity that is so readily apparent. Even in an underground and damp venue like a subway stop, the sound of their music coming through the tiled hallway seems to lift my step.
On first glance, Wednesday night’s concert could not have been any more different. A MacArthur Genius Grant winner and a (child) prodigy teaming up to play a complex amalgam of classical and bluegrass-influenced compositions in the most hallowed hall in all of America. As soon as my wife emailed me that Edgar Meyer and Chris Thile were playing together at Carnegie Hall, I stopped what I was doing at work and rushed to purchase tickets.
READ ON for more of Jeremy’s Meyer/Thile w/ Mark O’Connor review…