Ariana Grande is one of the two primary inspirations for Girl, the sophomore album from Girl Ray, out now on Moshi Moshi. The North London trio of Poppy, Sophie, and
Do No Harm is an enveloping pastoral plea for peace from superb and meticulous record label Keeled Scales’ newest signing The Deer. After starting as a solo project for vocalist
Québécois indie rock 4-piece Corridor is Sub Pop’s newest signing, pushing the Seattle imprint’s current ratio of international artists to over 20% of the roster. The Montreal quartet has the
All Mirrors, Angel Olsen’s fourth full-length album, out now on Jagjaguwar, belongs in the canon of essential break-up albums, but more Exile in Guyville than Rumours or Blue. It wasn’t
Sargent House’s steadfast goth goddess Chelsea Wolfe goes intimately acoustic on her 6th album, Birth of Violence, retreating to her scarcely-lived-in home to record in the Northern California wilderness and
Lana Del Rey just released her 5th major label full-length, Norman Fucking Rockwell!, produced by the supernaturally ubiquitous Jack Antonoff. It feels unbelievable that she already has so many albums
“can’t wait to quit music and never talk to anyone ever again also i wanna live on a damn farm” – Jay Som Anak Ko, the second proper album from
Hotel Last Resort, the 10th album from playfully abrasive folk-punk institution Violent Femmes, is a quick enjoyable listen of mostly two and a half minute songs. Singer/guitarist Gordon Gano’s vocals
Darkly whimsical multi-instrumentalist Erin Elizabeth Birgy has been excavating art-pop gems as Mega Bog for her devoted coterie of fans for nearly a decade. On Dolphine, Mega Bog’s fifth album
The most important thing to know about Dylan LeBlanc’s Renegade is that it’s absolutely beautiful. Lush, velvety and gorgeous enough to rival anything I’ve heard this year, this ten-track collection
