Movie: Tomorrow Night Writers: Louis C.K. Directors: Louis C.K. Studio: Circus King Films “You keep a very decent house.” This might as well be some form of “I love you,”
Movie: Tomorrow Night Writers: Louis C.K. Directors: Louis C.K. Studio: Circus King Films “You keep a very decent house.” This might as well be some form of “I love you,”
Movie: Tomorrow Night Writers: Louis C.K. Directors: Louis C.K. Studio: Circus King Films “You keep a very decent house.” This might as well be some form of “I love you,”
Louis C.K.’s ‘Tomorrow Night’ is far from perfect, but therein lies its charm and inarguable justification for its very existence and recent re-release.
A far-fetched pop fantasy involving the collision of ‘Girls’ and ‘Mad Men’ is surely something that exists. Thankfully, such a fantasy is somewhat indulged in this week’s episode — though not lightly.
This solid (if unremarkable) mid-season premiere offers few shocks but some nice character development.
The Flaming Lips and Sean Lennon teamed up for Beatles Week.
The Chili Peppers may have mimed during the Super Bowl, but…who cares?
More fun guest stars — ‘HIMYM’ is trying to make a callback to every past episode this season, it seems — but do we need even more episodes about Ted’s love for Robin? Fortunately, this seems to be the final one.
The disappointing but inevitable turning point initiated by last week’s episode continues with resilience in “Only Child,” pitting Hannah and Caroline against each other in what essentially is a battle of selves.
